Artwork Images
Photo:
Controls
Funeral - St. Helena, South Carolina
Object Details
-
Date
1955
-
Object Type
Photographs
-
Medium
Gelatin silver print
-
Dimensions
Image: 13 x 8 7/16 in.
Sheet: 14 1/16 x 10 7/8 in. -
Inscriptions
Verso:
u.l.: Robert Frank \ 34 Third Ave \ N.Y.C.
inscribed: 12/12 \ #3 \ 12 to 6 \ Focus 25
[stamp]: ROBERT FRANK ARCHIVE \ Americans 56 \ Funeral--St. Helena, \ South Carolina \ 414
Mat Verso [removed]:
inscribed: ROBERT FRANK, FUNERAL--ST. HELENA, SOUTH CAROLINA, AM. 56
-
Credit Line
Amon Carter Museum of American Art, Fort Worth, Texas, Gift of James H. Maroney, New York, New York
-
Accession Number
P1981.46.1
-
Copyright
© Andrea Frank Foundation, courtesy Pace Gallery
Object Description
In 1955, Frank set off across the U.S. to produce “the visual study of a civilization.” With an outsider’s eye, the Swiss-born Frank looked at his chosen country and found alienation, consumerism, and inequality. Adding to the sense of disquiet, he eschewed the bright and clear style of mass-media photography, creating grainy and off-kilter images instead.
After traveling over 10,000 miles and taking over 27,000 photographs, Frank reproduced only 83, including this one, in the resulting book, The Americans (1958). Published in the years of postwar boosterism, the book was disparaged by critics, who found it bleak and pessimistic—photographer Minor White called it “Utterly Misleading! A Degradation of a Nation!” and Popular Photography labeled Frank “a joyless man who hates the country of his adoption.” But The Americans became one of the most significant photobooks ever published, inspiring generations of artists to this day.
—Text taken from the Carter Handbook (2023)
Additional details
Location: Off view
See more by Robert Frank
Tags
Amon Carter Disclaimer
This information is published from the Carter's collection database. Updates and additions based on research and imaging activities are ongoing. The images, titles, and inscriptions are products of their time and are presented here as documentation, not as a reflection of the Carter’s values. If you have corrections or additional information about this object please email us to help us improve our records.
Every effort has been made to accurately determine the rights status of works and their images. Please email us if you have further information on the rights status of a work contrary or in addition to the information in our records.
Related Works
-
Martha Graham - Letter to the World (Swirl), 1940
Barbara Morgan
Gelatin silver print
P1974.21.17 -
Untitled #52, 2002
Laura Letinsky
Dye coupler print
P2007.3 -
Drawing No. 18, 1919
Georgia O'Keeffe
Charcoal on paper
1997.2 -
Untitled (Pittsburgh Housing), 1930s
Manuel de Aumente
Gelatin silver print
P2009.11 -
Design--Angles, 1919
Margaret Watkins
Gelatin silver print
P1983.41.3 -
Green Nude, ca. 1918-1924
Gaston Lachaise
Crayon on paper
2018.4 -
Zerogram, 2017
Ellen Carey
Dye coupler print
P2018.40 -
Weeping Beech, Brooklyn Botanic Garden, Brooklyn, 2011
Mitch Epstein
Gelatin silver print
P2012.13 -
The Time Game, 2011
Jane Hammond
Gelatin silver print
P2011.29