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![A black-and-white drawing of a multi-story, industrial building with chutes and ramps.](https://d2ujpqfu85jxzw.cloudfront.net/website/panth-live/styles/card_no_crop/s3/artwork/1990-38/carter_1990-38_o2_11.jpg)
![A black-and-white drawing of a multi-story, industrial building with chutes and ramps.](https://d2ujpqfu85jxzw.cloudfront.net/website/panth-live/styles/card_no_crop/s3/artwork/1990-38/carter_1990-38_o2_12.jpg)
![A detail of a black-and-white drawing of a multi-story, industrial building with chutes and ramps.](https://d2ujpqfu85jxzw.cloudfront.net/website/panth-live/styles/card_no_crop/s3/artwork/1990-38/carter_1990-38_detail_o2_5.jpg)
Artwork Images
Photo:
Controls
Industrial Architecture
Object Details
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Date
1931
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Object Type
Drawings
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Medium
Conté crayon and graphite on paper mounted to paper fiberboard
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Dimensions
Image: 9 5/8 x 7 3/4 in.
Sheet: 14 3/8 x 10 1/8 in.
Mount: 18 x 13 15/16 in. -
Inscriptions
Recto:
l.r. signed and dated in image: Sheeler 1931
Verso:
u.l., printed white label on [removed] backing board: HAHN BROS. \ FIREPROOF WAREHOUSES, Inc. \ 231-235 East 55th St. N.Y.C. \ [red line] \ EXPERT PACKERS of \ Paintings & Art Objects \ [red line] \ WITTENBERG [in graphite] \ 70W 40 [in graphite]
u.r. printed white label on [removed] backing board: Museum of Modern Art \ LOAN \ 39. 599 [typewritten] \ Wittenberg [typewritten]
c.l. in graphite on [removed] backing board: EW5
c. in graphite on [removed] backing board: #74 \ Industrial Architecture
c. in ink on [removed] backing board: Drawing - 1931 \ Charles Sheele
c.r. stamped in ink on [removed] backing board: NOV 16 193 [illeg. 1 or 7]
l.c. in graphite on [removed] backing board: $250-
[removed] printed white label: [dot] Museum of Fine Arts \ Boston, MA 02115 \ T657.1.1986 [typewritten] \ [dot] SHEELER [typewritten] \ Industrial Arch. \ [dot] Wittenberg [typewritten]
[removed] printed white label: Eagle [in graphite] \ LOT NO. [line] PIECE NO. \ A-531 [ in ink] 1A [in graphite] [line] #5 [in ink]
[removed] printed white label: THE FRAME SHOPPE \ CUSTOM FRAMING \ FINE PRINTS \ and ARTIST's MATERIALS \ 436 SIXTH AVENUE \ CORNER 10TH ST. \ NEW YORK, N. Y. \ ALGONQUIN 4-1815
[removed] printed white label: HIRSCHL & ADLER \ [H&A logo] Galleries inc. \ 21 East 70th Street, New York, N.Y. 10021 \ ARTIST: CHARLES SHEELER [typewritten] \ NUMBER APG 9438D [typewritten] \ TITLE: Industrial Architecture [typewritten and underlined] \ Conte crayon on paper [typewritten] \ MEDIUM 91/2 x 71/2" [typewritten] \ SIZE 1931 [typewritten] \ Exh: Buildings: [typewritten and 'Buildings' underlined] DATE: Architecture in America [typewritten and underlined] \ Modernism [typewritten and underlined]
[removed] printed white label: JAMES MARONEY incorporated \ 129a East 74th Street, New York, N.Y. 10021 \ [blue line] \ Artist: Charles Sheeler [typewritten] \ Title: Industrial Architecture [typewritten and underlined] \ Medium: Conte crayon on paper [typewritten] \ Size: 9 1/2 x 7 1/2 inches \ [printed sticker attached to label] J 880404NO [typewritten] M
[removed] printed white label: [logo] \ Katonah Museum of Art \ THE TECHNOLOGICAL MUSE [typewritten] \ November 11, 1990 - February 3, 1991 [typewritten] \ Charles Sheeler [typewritten] \ Industrial Architecture, [underlined] 1931 [typewritten] \ 84.90 [typewritten] \ Route 22 at Jay Street \ Katonah, New York 10536
[removed] printed white label: [H&A logo] HIRSCHL & ADLER \ Galleries, Inc. \ 21 East 70th Street, New York, N.Y. 10021 \ ARTIST: CHARLES SHEELER \ (1883-1965) \ NUMBER: APG 13921D \ TITLE: INDUSTRIAL ARCHITECTURE [underlined] \ MEDIUM: CONTE CRAYON ON PAPER \ SIZE: 9 1/2 x 7 1/2 inches \ DATE: 1931
[removed] printed white label: glass/plexi/UF-3 [UF-3 circled in ink] \ dustsealed/not [not circled in ink] \ lifts/mat/liner [mat circled in ink] rag [in ink] \ picture hinged w/ rice paper hinges [in ink] \ backboard rag [in ink] \ primary backing material: Archival [in ink] \ corregated [sic] [in ink] \ isolating material: \ sealed/not [not slashed through with ink] \ 2ndary backing material: \ nails/mending plates [nails circled in ink] \ tape/paper [paper circled in ink] acid free red [in ink] \ comments:
[removed] printed white label: 34. \ CHARLES SHEELER (1883-1965) \ INDUSTRIAL ARCHITECTURE, [underlined] 1931 \ CONTE CRAYON \ 9 1/2 x 7 1/2 INCHES
[removed] printed red label: PLEXIGLASS \ Do Not Tape
[removed] printed white label: M Museum 465 Huntington Avenue \ of Boston \ Fine Arts Massachusetts \ 02115-5597 \ Boston (617) 267-9300 \ [blue line] \ CHARLES SHEELER: PAINTINGS, DRAWINGS, PHOTOGRAPHS [underlined and typewritten] \ Museum of Fine Arts, Boston [typewritten] \ October 13, 1987 - January 3, 1988 [typewritten] \ Whitney Museum of American Art, New York [typewritten] \ January 28, 1988 - April 17, 1988 [typewritten] \ Dallas Museum of Art [typewritten] \ May 15, 1988 - July 10, 1988 [typewritten] \ Industrial Architecture, [underlined and typewritten] cat. no. 039 [typewritten]
[removed] printed white label: Whitney Museum of American Art \ 945 Madison Avenue New York, New York 10021 \ CSR.88.77.1 [typewritten] \ Charles Sheeler [typewritten] \ Industrial Architecture, [underlined and typewritten] 1931 [typewritten] \ Conte crayon on paper [typewritten] \ 9 1/2 x 7 1/2" [typewritten] \ CHARLES SHEELER: PAINTER - PHOTOGRAPHER [typewritten] \ January 27 - April 17, 1988 [typewritten] \ Organized by the Museum of Fine Arts, [typewritten] \ Boston [typewritten] \ Lent by Private Collection [typewritten]
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Credit Line
Amon Carter Museum of American Art, Fort Worth, Texas
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Accession Number
1990.38
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Copyright
Public domain
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Revealed Treasures: Drawings from the Permanent CollectionOctober 21, 2001–February 10, 2002
This exhibition of drawings spanning the 19th and 20th centuries represents the evolution of the medium from preliminary outlines for other artistic media to a modern means of self-expression in its own right.
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The Allure of Paper: Drawings and Watercolors from the CollectionJuly 9–October 9, 2011
This special exhibition showcases one-of-a-kind works on paper never before exhibited together, chronicling the sweeping changes that occurred in American art over the course of nearly 200 years from portraiture and history painting to modernism and abstraction.
Additional details
Location: Off view
See more by Charles Sheeler
Tags
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Grades 2–4
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This information is published from the Carter's collection database. Updates and additions based on research and imaging activities are ongoing. The images, titles, and inscriptions are products of their time and are presented here as documentation, not as a reflection of the Carter’s values. If you have corrections or additional information about this object please email us to help us improve our records.
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