Artwork Image
Photo:
Controls
Kaitchkona Winema, Woman Sub-Chief Called Tobey Riddle, Wife of Frank Riddle
Object Details
-
Date
1877
-
Object Type
Photographs
-
Medium
Albumen silver print
-
Dimensions
Image: 7 1/2 x 5 1/16 in.
Mount: 8 7/16 x 6 in. -
Inscriptions
Recto:
l.l. in image: Modoc. 4.
Mount Verso:
u.c. [typed on paper label]: 1011. WI-NE-MA, or Tobey Riddle. \ The modern Pocahontas, who, at the risk of her own \ life, saved the life of Col. A.B. Meacham, chairman of \ the Modoc peace commission, at the Modoc massacre. \ The Oregon Stateman truly says: "A truer heroine \ was never born in the American forest than the poor \ Indian woman, Tobey Riddle, whose exertions to save \ one who had befriended herself and people were no \ less daring and resolute than the devotion of Poca- \ hontas. We have nowhere read of a woman, white, \ black, or red, performing an act of sublimer heroism \ than Tobey Riddle, when, under suspiciouns of treach- \ ery, she returned to her people in the rocks, with an \ almost absolute certainty of being flayed alive. The \ description of that event is one of the finest passages \ in Mr. Meacham's speech, and is a fitting tribute to the \ courage and fidelity of his dusky, lion-hearted friend. \ The gratitude, fidelity, and devotion of that poor squaw \ ought to forever put to silence and shame those heart- \ less savages who, in the midst of a Christian civiliza- \ tion, were clamoring for the extinction of a people whom \ God had planted where they were found." Tobey is \ 28 years of age, and the wife o fFrank Riddle. She \ is honored by all who know her.
c. in graphite: 422. \ neg. no. 3051
-
Collection Name
Bureau of American Ethnology Collection
-
Credit Line
Amon Carter Museum of American Art, Fort Worth, Texas
-
Accession Number
P1967.3120
-
Copyright
Public domain
Additional details
Location: Off view
See more by Charles Milton Bell
Tags
Amon Carter Disclaimer
This information is published from the Carter's collection database. Updates and additions based on research and imaging activities are ongoing. The images, titles, and inscriptions are products of their time and are presented here as documentation, not as a reflection of the Carter’s values. If you have corrections or additional information about this object please email us to help us improve our records.
Every effort has been made to accurately determine the rights status of works and their images. Please email us if you have further information on the rights status of a work contrary or in addition to the information in our records.
Related Works
-
Zerogram, 2017
Ellen Carey
Dye coupler print
P2018.40 -
Untitled (Pittsburgh Housing), 1930s
Manuel de Aumente
Gelatin silver print
P2009.11 -
[Getting the saw], 1880s
M.C. Hosford
Albumen silver print
P2016.104.A -
[Skater], 1880s
Alfred U. Palmquist, Peder T. Jurgens
Albumen silver print
P2016.111 -
Weeping Beech, Brooklyn Botanic Garden, Brooklyn, 2011
Mitch Epstein
Gelatin silver print
P2012.13 -
Roseate Spoonbill, ca. 1980-85
Scott Gentling, Stuart Gentling
Graphite, opaque and transparent watercolor on paper
2018.26 -
Home of a Rebel Sharpshooter, Gettysburg, 1863
Alexander Gardner
Albumen silver print
P1984.30.41 -
The Time Game, 2011
Jane Hammond
Gelatin silver print
P2011.29 -
Street in Panama., 1871
John Moran
Albumen silver print
P1983.3.12