Artwork Images
Photo:
Controls
Light Coming on the Plains No. I
Object Details
-
Date
1917
-
Medium
Watercolor on newsprint paper
-
Dimensions
11 7/8 x 8 7/8 in.
Mount: 12 x 9 1/8 in. -
Credit Line
Amon Carter Museum of American Art, Fort Worth, Texas
-
Accession Number
1966.30
-
Copyright
© Amon Carter Museum of American Art
Object Description
While teaching at West Texas State Normal College in Canyon, Texas, during the summer of 1917, O’Keeffe created these abstract impressions of the sun rising over the wide-open Texas plains. The works reflect her bold individuality at a time when women artists struggled to attain recognition, considered unequal to their male counterparts. O’Keeffe stayed up all night to experience dawn when the effects of light were the most transitory and ephemeral. In these watercolors, she spontaneously layered deep ultramarine pigment on paper, allowing the fluidity of the medium to form the final design.
-
Revealed Treasures: Drawings from the Permanent CollectionOctober 21, 2001–February 10, 2002
This exhibition of drawings spanning the 19th and 20th centuries represents the evolution of the medium from preliminary outlines for other artistic media to a modern means of self-expression in its own right.
-
The Allure of Paper: Drawings and Watercolors from the CollectionJuly 9–October 9, 2011
This special exhibition showcases one-of-a-kind works on paper never before exhibited together, chronicling the sweeping changes that occurred in American art over the course of nearly 200 years from portraiture and history painting to modernism and abstraction.
Additional details
Location: Off view
See more by Georgia O'Keeffe
Tags
-
How do artists create light in their artworks?
Why might an artist return to the same subject multiple times or in multiple works of art?
Why might artists limit their color palettes?
How does an artist's choice of medium and materials impact an artwork?
How do artists determine which geographical features should be highlighted in portrayals of a nation?
Share Educator Resources
Amon Carter Disclaimer
This information is published from the Carter's collection database. Updates and additions based on research and imaging activities are ongoing. The images, titles, and inscriptions are products of their time and are presented here as documentation, not as a reflection of the Carter’s values. If you have corrections or additional information about this object please email us to help us improve our records.
Every effort has been made to accurately determine the rights status of works and their images. Please email us if you have further information on the rights status of a work contrary or in addition to the information in our records.
Related Works
-
Zerogram, 2017
Ellen Carey
Dye coupler print
P2018.40 -
Indian Family with Travois, 1897
Charles M. Russell
Watercolor and graphite on paper
1961.141 -
Untitled (Pittsburgh Housing), 1930s
Manuel de Aumente
Gelatin silver print
P2009.11 -
There are many churches in Harlem. The people are very religious., 1943
Jacob Lawrence
Transparent and opaque watercolor and tempera over graphite on paper
1987.94 -
Purple Martin, 1985
Scott Gentling
Graphite, opaque and transparent watercolor on paper
2018.17 -
Black-crowned Night Heron, 1983
Scott Gentling, Stuart Gentling
Graphite, opaque and transparent watercolor on paper
2018.14 -
Roseate Spoonbill, ca. 1980-85
Scott Gentling, Stuart Gentling
Graphite, opaque and transparent watercolor on paper
2018.26 -
The Time Game, 2011
Jane Hammond
Gelatin silver print
P2011.29 -
Flammulated Owl, 1983
Scott Gentling, Stuart Gentling
Graphite, opaque and transparent watercolor on paper
2018.24