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Light Coming on the Plains No. II
Object Details
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Date
1917
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Medium
Watercolor on newsprint paper
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Dimensions
11 7/8 x 8 7/8 in.
Mount: 12 x 9 1/8 in. -
Inscriptions
[None]
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Credit Line
Amon Carter Museum of American Art, Fort Worth, Texas
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Accession Number
1966.32
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Copyright
© Amon Carter Museum of American Art
Object Description
In 1916, O’Keeffe accepted a position teaching art at West Texas State Normal College in Canyon, Texas. Outspoken and eccentric, she struggled to make connections in the community, but she found inspiration and rejuvenation in the vastness of the Panhandle landscape. “The wonderful great big sky makes me want to breathe so deep that I’ll break,” she exclaimed in a letter to the dealer Alfred Stieglitz, one of many occasions in which she praised the natural beauty of West Texas.
In 1917, O’Keeffe produced a sequence of three small watercolors, including this one, chronicling sunrise. Working on sheets of newsprint, she layered fluid washes of ultramarine pigment, creating concentric bands of color that suggest the gradual diffusion of sunlight into the morning sky. Acquired directly from the artist following her 1966 retrospective at the Carter, these three watercolors offer a remarkable record of her early forays into abstraction.
—Text taken from the Carter Handbook (2023)
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Revealed Treasures: Drawings from the Permanent CollectionOctober 21, 2001–February 10, 2002
This exhibition of drawings spanning the 19th and 20th centuries represents the evolution of the medium from preliminary outlines for other artistic media to a modern means of self-expression in its own right.
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The Allure of Paper: Drawings and Watercolors from the CollectionJuly 9–October 9, 2011
This special exhibition showcases one-of-a-kind works on paper never before exhibited together, chronicling the sweeping changes that occurred in American art over the course of nearly 200 years from portraiture and history painting to modernism and abstraction.
Additional details
Location: Off view
See more by Georgia O'Keeffe
Tags
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How do artists create light in their artworks?
Why might an artist return to the same subject multiple times or in multiple works of art?
Why might artists limit their color palettes?
How does an artist's choice of medium and materials impact an artwork?
How do artists determine which geographical features should be highlighted in portrayals of a nation?
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