Amon Carter print details
An oil painting of the back of a large adobe structure set against a muted blue sky.
An oil painting of the back of a large adobe structure set against a muted blue sky.

Ranchos Church, New Mexico

Georgia O'Keeffe (1887-1986)

Object Details

  • Date

    1930-1931

  • Object Type

    Paintings

  • Medium

    Oil on canvas

  • Dimensions

    24 1/4 x 36 in.

  • Inscriptions

    Verso:

    signed and dated on canvas, in white paint: Georgia O'Keeffe-1930

    u.l. in graphite on stretcher: Wickser 4M

    u.c. in graphite on original backing board: 547 . 1:58

    u.c. in graphite: Ranch church-Grey Sky 1930

    u.c. in graphite on frame: O'Keefe [sic]

    u.r. in graphite on stretcher: #9

    c.l. in black crayon on original backing board: 26.2:39 [see file for photo of original backing board and labels]

    l.l. in graphite on frame: Stieglitz's #28

    l.l. in graphite on stretcher: #9 #10 #289

  • Credit Line

    Amon Carter Museum of American Art, Fort Worth, Texas

  • Accession Number

    1971.16

  • Copyright

    Public domain

Object Description

In 1929, O’Keeffe began spending part of each year in Taos, New Mexico, a favorite destination for artists and tourists who were drawn to the region’s stark topography and its unique intermingling of Indigenous and Hispanic cultures. During her first years in Taos, she gravitated to the city’s most famous Spanish Colonial landmarks, including the San Francisco de Assisi Mission Church, which became one of her favorite subjects to paint.

O’Keeffe preferred to depict the church from the rear, a vantage point that allowed her to explore the blocky, geometric qualities of its adobe walls. Enlarging and exaggerating these forms, she portrayed the church as if it were an organic growth emerging from the earth. In turn, these compositions imbued modernist painting with a distinctly American lineage, suggesting that the foundational shapes and forms of modernism were rooted in the landscapes and buildings of the southwestern United States.

—Text taken from the Carter Handbook (2023)

Additional details

Location: On view
W28-artist-CMYK-CarterBlack
See more by Georgia O'Keeffe

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Educator Resources

  • How might an artist be inspired by an environment or a setting?

    What makes a building a source of inspiration to an artist? To a community?

    How does a building relate to its surroundings? What story does it tell about an area’s geography, history, and culture?

    Why might an artist choose to abstract a scene rather than to create a more representational, or realistic, depiction?

    How might artists inspire each other to depict a subject matter similarly or differently?

  • Grades 2–6

    Students will create a sensory poem inspired by Ranchos Church. While looking at the work of art, they should imagine they are physically in this space and consider how they would experience the place through various senses.

    • I smell ...
    • I hear ...
    • I feel ...
    • I see ...
    • I taste ...

    Grades 4–8

    Students will choose a building or place they find inspiring and write a brief paragraph explaining why they chose this place. They should consider their senses when expressing how it might feel to be in this place. Pose these additional questions to students so that they may consider their perspective on the building: Where are you sitting, standing? What is its size in comparison to you? What details would you emphasize?

    All Levels

    Activity 1
    Draw your favorite place. Think of perspective, angle, distance, details, and surroundings.

    Activity 2
    Walk around your school, your house, or a building and notice how it appears from different angles. Sketch a part of the building that you find the most interesting.

     

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